![]() Chances are high that you'll want to move that square somewhere, even if it's just a few pixels. Once you've drawn the shape, you'll notice that the rectangle tool is still selected. The tiny blue squares are called anchors and the connecting lines are called paths. I'll cover this tool in a moment, but for now you can see that there are four blue squares in each corner of the shape with a tiny line connecting them all. Press the A key on your keyboard to select the Direct Selection tool. Now that the shape is drawn, let's analyze it a bit. Enter 300 x 300 and watch your shape automatically appear. This is particularly helpful if you are creating buttons for an interface that have a common height. This will open a dialog box where you can enter dimensions for your shape. The second: Click once anywhere on the canvas. Release your mouse button when you're happy with the size of your square. The first: Click and drag on the canvas while holding the shift key to maintain 1:1 proportions. Don't you dare go clicking on that tool panel without trying to remember the quick key first.Īlright, now that the rectangle tool is selected with the M key, you have two options for drawing a rectangle. If you're going to use Illustrator and want to get fast and furious with it, you must learn this quick key along with all of the others I subsequently mention. This is the quick key for selecting the rectangle tool. To do this, hit the M key on your keyboard. Real World Use Case - iPhone Sign Up Screenīefore we jump in too deep, you need to have a basic understanding of vector shapes, points, paths, and the tools used to manipulate them.įirst, we're going to draw a square in Illustrator.I remember the smell of all that fresh new plastic as he swiftly vectorized my bitmap printout and sent it to his giant plotter. #HOW TO GET RID OF WHITE LINES IN ILLUSTRATOR SOFTWARE#I didn't even know what type of software was capable of producing such awesomeness, let alone that I would one day use it for myself. He began razzling and dazzling me with his fancy bézier curves and handlebar tweaking techniques. So the guy at the print shop scanned in my sad print out of what I thought was an incredible logotype and pulled it up in Illustrator. I designed the sticker in MS Paint like a total boss, but of course, the resolution was much too low to be stretched across the windshield of a vehicle. ![]() I'm embarrassed to admit that the sticker was designed to stretch across the entire width and read "Xtreme Customs." At least I didn't go for the " customz" spelling, but unfortunately this was the genius slogan that a group of friends and myself agreed upon as the name of our vehicle clique. I was a freshman in college and visited a print shop to get a sticker made for the top of my white Ford Mustang's windshield. "Black magic!" I thought to myself, as I witnessed for the first time, someone manipulating vector shapes in Adobe Illustrator. RANDOM PRINT SHOP SOMEWHERE IN SOUTHEAST GEORGIA - DAY (2000) I'm starting this post at the beginning, so even if your goal is not to get blazing fast, you'll still get a solid understanding of the basics. If you're new to Illustrator, don't fret. ![]() If there aren't quick keys for some frequently performed task, I will often create my own. The simple truth is that I've used Illustrator a lot over the past decade and have learned a quick key for virtually everything I produce, whether it's logos, wireframes, or full-fledged interface designs. When I posted "Wireframing with Illustrator and InDesign", several people asked about my Illustrator techniques. ![]()
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